I always had a fascination with how the world is put together and from an early age I wondered what I could contribute to help shape the world around me. I had a curiosity, which I think most designers share, about how things and people connect, whether physically or digitally, and this led me to develop an interest in transport infrastructure. Following my degree, I had an opportunity to work in rail architecture, which I did for a few years before eventually segueing into aviation. There are obvious overlaps between rail and aviation, with shared skillsets and standards, and this made that transition fairly seamless. I also did quite a lot of commercial work initially, which is proving very useful now as there’s a big crossover between aviation and commercial here at Benoy.
My first job in aviation, which was 12 years ago, involved working on all five major London airports. It was a great introduction to the sector. From this point I developed a real interest in airports, aviation and aeroplanes. I’m particularly inspired by the Golden Age of Aviation, that period of progressive change and innovation in flight during the mid-20th century. I like to think that age is achievable again, but you’d have to combine the romance and aesthetics of that time with the ‘open-to-all’ mindset that shapes the modern low-cost aviation landscape.
In terms of individual designers, I’ve always been inspired by architects who really focus on context, such as the German-American Mies van de Rohe, and more recently Richard Rogers. The Danish urbanist Jan Gehl has also been a big influence. The way he put people first (people, then spaces, then buildings) really resonates with me and aligns with Benoy’s philosophy of ‘design for people and places’.